While on walk-about I spotted this little guy.

While on walk-about I spotted this little guy.

Now that my friends, is a thing of beauty.

I remember watching this concert live (IIRC) on MTV in 1982, and recording it via a mono VCR to a 3-head cassette deck, passing through one channel to the other to add tape delay to make it not sound so mono. What really sent the shivers up my spine was the break from the interlude after Play The Game Tonight. Kansas was by far my favorite band at the time.
Carry on Wayward Son
Play the Game Tonight
Church Podcast Guide – Create a Sermon Podcast for your church
I’ll add one omission I see in this article and that is that your podcast does not need to be stereo, mono is fine, it’s speech… there’s nothing to pan. Every software (and iPod/MP3 player) knows to put the mono signal in both speakers, no worries. And it cuts the file size right in half – free lunch! Don’t be duped into doing stereo just so your intro music (if you use any) is in stereo… the message is the important part and mono will get it done perfectly fine. Another omission from the getting good signal section is dynamics compression, simply put; you need it like you need air if you’re going to do a podcast (of any kind involving speech) that will be tolerable to listen to in a variety of listening conditions/environments. If I remember I’ll append a photo of my (hardware) compressor setup to this post. See this article of mine on software [dynamics] compression.
As promised, see below photos of my compression settings on a Behringer Autocom Pro for our main speech mic (LX series Shure w/SM87 head), and a wide shot showing the 15 band graphic EQ channel that follows it in the signal chain (a Rane ME-15.)



I found this list which could be helpful in making a decision on a lens purchase.
Fellowship Church’s version of TSO’s Carol of the Bells (amended with God Rest Ye Merry Gentlemen) reminded me of what has to be one of my favorite songs typically used at Christmas time, O Come O Come Emmanuel. It too has gotten some modern air time with some enjoyable variants, here are a few that I enjoy, including a version by yours truly from about 10 years ago. See my previous post for FC’s version.
Aaron Shust – this is probably the one with the best groove, and some astounding bottom end.
Phillips, Craig & Dean, this is the first modern adaptation I heard over 10 years ago (which is what inspired me to take a crack at it.)
Steve Martin, while not as groovy, it think it’s very tasteful.
And lastly, my version, all sounds were created by a Korg M1.